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大卫·芬奇从这时候就开始絮絮叨叨探讨一些宗教意味、精神世界的问题，"异形“世界观不断完善，只是无法理解第二部拼死拼活救回来的小女孩在这一部一来就被便当了……

The thing about unhappiness is after a while it stops being interesting.

放养与严厉管制，鹰的隐喻。工作学习也没什么意思，不知道应该干什么，无所谓。迷茫又迷人。

“I have been here before. When or how, I cannot tell. I know the grass beyond the door,the keen sweet smell, the sighing sound,the lights around the shore.You have been mine before. How long ago, I may not know. But just when at that swallow saw,your neck turned so some veil did fall.I knew it all of yore. Has this been thus before, and shall not thus times eddying flight still with our lives,our loves restore in death's despite and day and night yield one delight once more？”

补标：最真实的镜语和冷峻的调色使对比构图极富张力，想起卢梭之自由。逃避无法融入的理性文明，去与自然世界的天然自由和谐共生，却无法避免地被秩序埋葬掉自由与青春。雏鹰是希望的精神避难树，而小孩是那颗树上的“男爵”。